My article “Dr. Google: Wettbewerb um Aufmerksamkeit” has been published on the website of the Austrian TV broadcast ORF đ Its aim is to summarize the main results from my PhD. It was really fun writing something less academic for a broader audience! Special thanks go to Lukas Wieselberg from the ORF for his support, to Thomas MĂŒller from Textfeld, as well as Michael, Lisi, Florian & Uli, who figured as “pre-readers”! (photo credit: ORF/ Ewa Walicka, Fotolia.com)
jokkmokk revisited
Last week-end a couple of HUMlab postdocs went to Jokkmokk to visit the Sami winter market. Besides huge piles of snow we saw a reindeer race, had reindeer food in multiple forms (including reindeer pizza), were amazed by extravagant fur clothing, enjoyed Sami joiking (a variation to the Austrian Yodel) and even saw a northern light – faint, but still.. This photo blog shows it all đ
Algorithmic ideology at oxford internet institute/ oii 21-24 September 2011
I’m happy to announce that my paper “Algorithmic Ideology: How capitalist society shapes search engines” has been accepted at the OII conference in September (with thanks to Ken Hillis for the inspiration to the title). The conference “A Decade in Internet Time: Symposium on the Dynamics of the Internet and Society” has the central goal to critically assess the last decade of social research on the Internet and identify directions for research over the next. Further, the 10th anniversery of the founding of the OII will be celebrated. The line-up of the speakers is highly impressive: Manuel Castells, Vint Cerf, Dr. Laura DeNardis, Professor William H. Dutton, Andrew Graham, Eszter Hargittai, Brian Loader, Dr. Lisa Nakamura, Dr. Victoria Nash, and last but not least Professor Barry Wellman. I’m particularly looking forward to discuss my paper in the audience of Manuel Castells or Vint Cerf – who both will certainly have to say a lot about the development of search technology/ Google in the context of capitalist society/ the information economy. For further information on the conference topics, speakers & registration, please go to the conference website (credits for the image OII).
goodtosee #1: diaspora & mubi
After a great time in Vienna, Linz and Tirol I’ve returned to UmeĂ„, where the snow is still piling up. Although I’m not a big fan of New Year’s resolutions I thought to clean up my life a little bit over the turn of the year. The probably most liberating decision was to drop the idea of turning my PhD into a book. Instead of reworking the same piece of text over and over again or paying a lot of money to get it out there as a book, I’ve decided to put it online and upload it on textfeld, an Austrian platform for sharing and discussing academic work. Further, I’m working on journal articles, that are much more fun to write anyway. Blog-wise I’ve decided to introduce a new rubrique aiming at discussing one website, initiative, institution, or online platform I find worth to spread per month. I call it goodtosee.
To start with – and against my own idea of discussing one site per month – I start out with discussing two social networking sites: Diaspora and MUBI. Invited by my colleague Jana Herwig I joined Diaspora just to see what it’s like. Created as an alternative to Facebook, which spams you with news, apps and ads, Diaspora looks minimal and friendly.
Instead of “friends” you add “family” or “work”-related people or whatever category you invent yourself. This seems sympathetic since the one-size-fits-all friends category has become empty anyway. Further, the lack of advertising and news spam is extremely pleasant. Despite the sympathy I have for the platform I haven’t really figured out what to do with it yet. Browsing the profiles of my – so far – two contacts makes it hard to see what their social relations are, also because the news channel is lacking. So the social surveillance we’ve learnt on Facebook doesn’t quite work here. Further, the function of importing images, links to websites, or youtube movies seems to be complicated, if possible at all, which makes it hard for me to get started. The reason for that might be just my own incapability to let go of all the annoying, but at the same time handy features I got used to on Facebook. Or the lack of friends or rather lack of “family” and “work” I have on Diaspora. In any case I’m curious about the platform’s further development – it’s an alpha version and feed-back is appreciated – and whether I’ll be part of it. Let me know if you wanna try it out yourself; I’ve still some invitations and would be interested what you think of it!
The second platform worth mentioning is MUBI. MUBI is an African city, but it’s also a social network dedicated to watching, sharing and discussing movies. The platform is more intuitive than Diaspora since it has all the basic features we got used to in the past: It has a news channel, it links to Facebook and Twitter, and it provides you with a profile you can design with the help of familiar features.
Its main purpose, however, is to offer a movie database and stream all types of movies, from classics to recent films, for a small amount of money (1-3 Euros). The movies that are top-rated and thus presented to users on the homepage are no blockbusters, but films usually shown at small film festivals around the world. This makes the platform immediately interesting to me, not to speak of the films by Christoph Schlingensief that are featured as well. When digging into the films, however, one big problem occurs: due to different copyright regulations in different countries not all films may be watched in all countries.. so it’s a bit of a lottery whether you can actually watch the movie you wanna see. Hence, if you’d like to watch old classics the Internet Archive might actually be the better option for you. Apart from that I highly recommend all film lovers to check it out!
I think these two websites are goodtosee because both of them are innovative and refreshing alternatives to big, commercial companies. Despite some initial difficulties I would love to see them grow and become serious competitors to money-driven platforms using our personal data to raise their revenues.
— merry xmas & a peaceful 2011 —
media places: from the gardens of versailles to spatial robots
The media places conference at the HUMlab has come to an end. It was a highly inspiring three-day gathering of international scholars in the broad field of digital humanities. Besides researchers from the humanities and the social sciences, software developers, architects, advertisers, musicians, and a bunch of people from the digital media and gaming industry have been part of the tight program. The juxtaposition of all these different types of actors and their perspectives on the mutual shaping of media, technology and place made this event mind-blowing indeed.
It enabled our minds to travel from the historic gardens of Versailles and smart homes from the 50s to future scenarios in architecture and spatial robots telling us when to water the plant. The opening talk of Chandra Mukerji reminded us of the fact that power and authority is not only exercised by social action, but also by materiality and architecture. Her detailed analysis of the gardens of Versailles and the beautiful fountains, statues and mazes provided a theoretical framework for the politics of place, which I found applicable to a lot of the talks that followed thereafter. Most impressively, probably, in Erica Robles‘ analysis of Californian Megachurches. The glassy facades and huge screens mediating the congregation to a global TV audience may be seen as a manifestation of authority (and capitalism).
While most of the talks, such as these two, might be neatly woven together, others pointed to contradictions and misunderstandings, most particularly between critical analysis and software developers. I found it most striking, for example, that Lynn Spigel‘s gender clichĂ©s embedded in historic advertisements of smart homes and TV may still be found in demonstration videos of the fascinating information systems and spatial robots Miles Kemp presented. Is the “future of the past”, as Lynn Spigel called it – the white nuclear family and the woman taking care of the kinds – still applying to the future of the present? Or is it rather time to create new societal visions along with new technological possibilities?
Photo credits: The Univesity of Chicago Press & Variate Labs
Since pretty much all the talks I’ve heard were highly inspiring I could go on forever here. To avoid that I would like to invite you to check out the program and speakers in detail on the conference website. There you can learn more about Molly Steenson‘s analysis of Cedric Price and his imaginations of information architecture, Zephyr Frank‘s network visualizations of the spread of diseases or the mobility of Rio de Janeiro’s slave population, Jesus de Francisco‘s advertising films and music videos from Motion Theory, Simon Lindgren‘s networks of file sharing and other social media communities, Jeffrey Sconce‘s reflections on schizophrenia and delusional media, Nicklas Nygren‘s fantastic video or rather “audio” games, Carter Emmart‘s simulations of the universe and much more. Not having been in an observatory for ages Carter Emmart’s tour from Mars to the Moon and back to the Earth was most impressive to me!! Thanks for that!
Last but not least I would like to refer to the talks of my HUMlab colleagues: Jim Barrett, Jenna Ng and Mats Deutschmann gave a wonderful presentation on second life as a media place for learning, symbolic representation and cinematic experience. Mike Frangos was talking about archiving and social media featuring Machfeld‘s M1+1 performances (I personally love to advertise ; ). And Lisa Swanstrom presented her really interesting book on new media places and environmental consciousness hinting at the blurring boundaries between nature and technology. Good luck with your book! We’ll miss you here Lisa!
Last last, but not least: I would like to thank Patrik Svensson and Emma Ewadotter and all the helping hands from the HUMlab crowd for the wonderful conference, and the Julbord and Glögg party, of course đ I would love to see more events mixing people with different backgrounds and creating a media place for fruitful thinking beyond disciplinary boundaries!!
Patrik’s reflections on the use of space during the conference and more interesting material on all that may also be found at the HUMlab blog.
SWAMP: studies of work atmosphere and mass production
SWAMP (studies of work atmosphere and mass production) is an art label that creates entertaining, yet critical art works, which I highly recommend to check out on their website! That is how they describe themselves:
SWAMP is the collaborative effort of artists Douglas Easterly and Matt Kenyon. Their work focuses on critical themes addressing the effects of global corporate operations, mass media and communication, military-industrial complexes, and general meditations on the liminal area between life and artificial life. SWAMP has been making work in this vein since 1999 using a wide range of media, including custom software, electronics, mechanical devices, and often times working with living organisms. Easterly is a Senior Lecturer and Programme Director of Digital Media Design at Victoria University of Wellington in New Zealand. Kenyon is an Assistant Professor in the School of Visual Arts at Penn State University in the United States.
Amongst their wide range of works I particulaly like “coke is it”. This piece questions coke’s marketing strategies with the help of the roboter c3 that destructs itself by drinking coke. Enjoy!
Coke is it from matt kenyon on Vimeo.
Other brilliant works are the “tardigotchi” or the “improvised empathetic device”, which helps to raise awareness to the death and violence occuring in Iraq by creating direct physical pain from the reported events of killed American soldiers.
Thanks Lisa Swanstrom for having introduced me to this great art and for having organized a super interesting Skype interview with Matt Kenyon in the HUMlab!
“Media Places” conference at HUMlab
Preparations have already started for the upcoming conference “Media Places”, that will take place at the HUMlab, UmeĂ„ University/ Sweden, 9-11 December 2010. Within the broader context of what has been labeled the “Digital Humanities” this conferences aims to investigate the interplay between media, technology and location. “A basic premise is that the social, cultural and spatial are deeply embedded, and that space is constantly structured and produced by those of who occupy it”, as may be read on the conference website. To approach phenomena at the intersection of media, technology and place the conference brings together cultural historians, architects, screen researchers, art and creative directors from digital media production industry, visualization experts, design researchers, sociologists, gender researchers, and game industry representatives. This broad range of scholars with different backgrounds shows the interdisciplinary dimension of topics the growing field of Digital Humanities deals with.
Details on the program and international guests from top-class institutions in the field of Digital Humanities may be found here. I’m already looking forward to an exciting three-day conference in the far north of Sweden đ
surströmming or “the stinky fish movie”
According to Wikipedia Surströmming, “known colloquially as Scandinavian rotten fish, is a northern Swedish dish consisting of fermented Baltic herring. Surströmming is sold in cans, which often bulge during shipping and storage, due to the continued fermentation. When opened, the contents release a strong and sometimes overwhelming odour, which explains why the dish is often eaten outdoors.”
Despite its scary description we decided to try – what we called – the stinky fish nevertheless. Following the advise to eat Surströmming outdoors we took it to the woods, together with other ingredients the fish is supposed to be eaten with. The purpose of this undertaking was to actually eat the fish.. the outcome of our adventure may be seen in the movie below. I hope it does not hurt Swedish feelings, but as a lot of Swedes don’t like the fish either, it should be ok, I hope. Especially as it also well-documents the HUMlab postdoc crowd! At least parts of it, as Charlotte has left us in the meanwhile.. we miss you!! & thanks for editing the film! đ & thanks also to Michael, who documented the whole fish procedure with the camera (and unfortunately left us too!!).
Tip: When watching the film, please consider that I actually said, that I swallowed the fish for a moment – a clear sign of the fish’s ability to confuse my brain..
P.s. the movie was shot about a month ago, the present snow-situation is like this:
internet research 11.0 / AoIR Gothenburg/ #ir11
I just returned from Gothenburg, where I had a really good time at the AoIR conference (21-23 October). Although feeling a little exhausted, I still try to summarize some interesting ideas I took home from âthe Southâ. This, of course, is not meant to be a full review of the conference, since 6 parallel sessions are hard to attend simultaneously (even to follow all of them on the twitter channel was overwhelming). Contrary, I just want to selectively discuss inspiring talks and thoughts, probably strongly biased by my interest in search engines and knowledge production, as well as my affiliation to HUMlab.
Day 1: In the first session I attended I found the talk by David Kurt Herold on âChinaâs internet users as the glue that keeps society workingâ most amazing. Davin Herold showed that Chinese use the web to help each other against crimes and abuse in cases where legal or social institutions failed. He discussed âhuman flesh search enginesâ indicating that users put information on criminals online and let others track down and punish these people with the help of the web (pretty frightening when thinking of the possibility that innocents may become victims of these âonline punishmentâ strategies). During this excellent talk I realized that there is so much media coverage on China and Internet censorship, but little is known about the actual use of the web by its Chines users.
After that I attended a panel on the Internet of affect. The basic idea of this panel was to discuss emotions internet researchers have when investigating and using the web. Surprisingly emotions such as fear and anger were high on the agenda. Sally Wyatt, however, suggested boredom and coined internet use as a form of âdomestic laborâ â most particularly in regard to online health information, which I find an interesting thought. After that a long discussion evolved around the âeconomy of attentionâ. In this context I asked myself whether the desire for attention is something inside of us, or whether it’s – at least partly – triggered by the technology providing a network of surveillance services when thinking of Google analytics, but also the like and comment functions on facebook & co.
Photo credit: Wrote; on ir11 Flickr stream
After lunch I most particularly appreciated Christian T. Callisenâs talk about the history of social networks. He discussed the âRepublic of Lettersâ, a virtual community way before the Internet. In the 17th century intellectuals both from Europe and the US exchanged letters to transcend national boundaries and establish a metaphysical republic. I think this is a brilliant historical case study, that shows that we can learn a lot from history when trying to understand present-day virtual communities and social networks. In the evening of the first day we all went to the reception in the beautiful âBörsenâ building, where I had a really interesting conversation about Google books and copyrights issues. After that we ended up in the pub âBishops Armsâ, which showed me that Bishops Arms in UmeĂ„ is by far not the only one in Sweden. Hm.
Day 2: The next morning I attended the session âUnlikely players and playingâ, where my HUMlab colleagues Emma Ewadotter and Calle Engquvist were presenting their work on the power of gamers or the âartist as an activistâ. They elaborated that users of the game âPlanet Calypsoâ had a hard time to accept equipment for free, which Calle gave away as an art intervention. Particularly in respect to violent games such as âLeft 4 Deadâ, which was presented by Staffan Lennart Björk, I started wondering why users have a hard time to accept gifts, while they don’t seem to have problems with wildly shooting and kicking. – what a funny age weâre living in.
In the afternoon I enjoyed the panel âGoogle this. How knowledge and power work in a culture of searchâ. Ken Hillis, Michael Petit and Kylie Jarrett have put together a really interesting panel on the power of Google. Kylie Jarrett drew on Bourdieu to discuss the symbolic capital or âmeta-capitalâ of Google, that allows it to define what can be used as capital in many arenas. Michael Petit discussed that McLuhanâs notion of âthe medium is the messageâ may be seen as particularly applying to search technology, since users create their own results. In many cases search could no longer be seen as a means to an end, but has become an end in itself. Ken Hillis was finally talking about the metaphysical assumptions that underlie Google and search practices in a more general sense. He argues that Google has the influence to shape how people think in terms of making everything searchable, which well-corresponds to our need of efficiency and speed, I guess. He further showed the quite amusing website âThe Church of Googleâ elaborating why Google may be considered as God.
Considering all these issues discussed in the panel Iâm already looking forward to the book on “Google and the culture of search” Hillis and Petit are currently working on, stay tuned!
Day 3: I started with the panel on virtual worlds organized by my HUMlab colleagues Jim Barrett, Mats Deutschmann, Jenna Ng, and Stefan Gelfgren. Mats was talking about second life as a learning environment, that has the potential to break down hierarchies between teacher and student and trigger âcommunities of practiceâ instead. Jim was talking about aboriginal narratives and how second life could help to teach and learn Sami language, which has different terms for the same object depending on the position of the object in space (if I got it correctly). Stefen was finally talking about Christian churches in second life and that they trigger pretty traditional praying practices. âA lot of praying 2.0 going on in Second lifeâ, as Stefan put it. Unfortunately I missed Jennaâs talk, sorry for that!
After that I attended a panel on âKnowledge sharing, collaboration and attributionâ. In this session I was primarily interested in (the rise) and fall of “Google Lively” presented by Isto Huvila. He was discussing that a lot of users migrated to second life when Google shut down its own virtual world. After that I felt exhausted and skipped the last session.
Altogether I perceived the quality of most of the presentations as very high (some more theory here and there wouln’t have hurt, but it was fine). Further, the twitter stream was filled with messages at an amazing speed. After having actively contributed on the first day I became a lazy twitterer, just because I realized that I got completely distracted from the actual presentations. Maybe someone can explain to me how to multi-task all that? Anyway, it was fun to follow all these tweets and see which pieces of work drew the most attention. By the way, that makes me think of Nancy Baymâs keynote on Swedish pop culture and online participation discussing how the notions of fan and audience change in the age of the Internet. â Being a heavy twitterer herself, I guess she was the one actually drawing the most attention; rightly as she held a very entertaining talk!
Photo credit for the left one: Jeffrey Keefer; on ir11 Flickr stream
Next yearâs AoIR conference is going to be held in Seattle, hope I can get funding to go there!



















