goodtosee #2: Scroogle & more

In the last couple of months I have done extensive interviews with 17 people more or less directly involved in the social construction of search engines. The interviewees ranged from search engine engineers, people working in information retrieval, search engine optimizers, content providers and marketers, but also proponents from the broader societal context including policy makers, jurists, activists, journalists, and critical internet scholars – from the German and US-American context. All these people shared and discussed their different viewpoints on search engines with me. The material I’ve only recently started to analyze looks extremely interesting – thanks to all of them! First insights will be presented next week at the Wits School of Arts, University of the Witwatersrand/ Johannesburg! 🙂

For now, I’d like to share some kind of by-product of these interviews with you: the landscape of search engines my interview partners depicted. Independently from their heterogeneous standpoints and backgrounds they all drew a pretty similar picture. It may best be described with the term “Googlepoly”, which was coined by Pasquinelli in the book “Deep Search” (which I highly recommend by the way!).


All of my interview partners described Google as THE actor on the market, the “monopolist” or “oligopolist”. Some of them further referred to Microsoft’s Bing – who bought Yahoo just recently – as a possible future competitor, while others doubt that. Further, ASK was mentioned from time to time. But what search engines exist apart from these big, highly commercial players? Are there alternatives out there?

Having been asked about the broader landscape of search engines my interviewees drew a more complex picture, I’d like to share (and strengthen) here:

Besides the commercial search tools there is a great variety of search engines differing in size, use, and purpose. First of all there are meta-search engines, which basically use search results from both commercial tools and alternative technologies. SEARCH3, for example, enables users to compare search results from Google, Bing, and Twitter (?) to get a broader picture of search results. The German search engine METAGER uses results from BING/ YAHOO and small search engines specializing in certain thematic fields. These search technologies have the primary purpose to broaden the users’ perspective and to display search results without advertising.

Similarly, other search tools draw on/ use/ exploit big commercial players and their algorithms. Especially the so-called “green” search engines have become popular in this respect. ECOSIA, for example, describes itself as a “social business dedicated to environmental sustainability via the donation of revenue to the world’s most effective rainforest protection programs”. Within broader debates on climate change ECOSIA & co. claim to donate parts of its advertising revenue to WWF’s work in the rain forest. The fact that ECOSIA is powered by the BING/ YAHOO complex and employs its search algorithm, however, limits its “green” purpose drastically since ECOSIA – and all the other green search engines – use the same computer power and create the same CO2 emission as BING, GOOGLE or any other search engine.

Further, SCROOGLE is an interesting and humorous initiative. SCROOGLE basically exploits GOOGLE through using its algorithm, while protecting users’ privacy through encrypting users’ data. It makes their search query anonymous so to say (and makes fun of Google through displaying all kinds of comics, pictures etc.). Similarly, the meta-search engine IXQUICK, known as STARTPAGE in the US, is dedicated to protect the users’ privacy. Contrary to SCROOGLE it has its own algorithm and follows a quite elaborated business philosophy and policy.

In addition to these universal search engines there is a range of special interest search tools such as the Blog search engine TECHNORATI, the language search tool LINGUEE (German-English), BASE dedicated to search scientific documents, or WOLFRAM ALPHA, which aims at making “systematic” and “expert-level” knowledge accessible to the broader public. While it has its media hype at the beginning, there is not much said about WOLFRAM ALPHA anymore – most probably because it works best with mathemetic formulas, which are not amongst the top  search queries according to trend graphs. Further, the peer-to-peer search engine YACI may be seen as a real alternative to commercial, top-down search companies. YACI is a de-centralized search engine that wants to “achieve freedom of information through a free, distributed web search which is powered by the world’s users”.

Finally, there are European initiatives to challenge US-based companies such as the French search engine QUAERO and the German search technology THESEUS. Both of them received funding from the public sector and the EU and both of them did not take off yet, quite on the contrary. Recently, another European initiative, EUROPEANA, aiming at ordering “Europe’s cultural and scientific heritage”, has been introduced. Maybe this one will succeed in introducing a competitive European search engine, you never know.

Most of my interview partners further referred to social media such as FACEBOOK or TWITTER as potential competitors on the search market. Whether GOOGLE & co. manage to integrate more social data into their searches or whether they’ll be outpaced by social networks and their recommendation system remains to be seen in the future. One interview partner described it as a “battle between man and machine”.

This rich repertoire of search technologies – plus the ones I haven’t talked about here – shows that there are indeed alternatives to the “Googlepoly” out there. Whether your goal is to save your private data, to get more diverse search results, to create a more “green IT”, to take part in developing a de-centralized search, or to just escape Google for once: It might be worth trying one of the search technologies depicted above, just to see what it’s like outside the Googleverse.

Dr. Google: Wettbewerb um Aufmerksamkeit

My article “Dr. Google: Wettbewerb um Aufmerksamkeit” has been published on the website of the Austrian TV broadcast ORF 🙂 Its aim is to summarize the main results from my PhD. It was really fun writing something less academic for a broader audience! Special thanks go to Lukas Wieselberg from the ORF for his support, to Thomas Müller from Textfeld, as well as Michael, Lisi, Florian & Uli, who figured as “pre-readers”! (photo credit: ORF/ Ewa Walicka, Fotolia.com)

jokkmokk revisited

Last week-end a couple of HUMlab postdocs went to Jokkmokk to visit the Sami winter market. Besides huge piles of snow we saw a reindeer race, had reindeer food in multiple forms (including reindeer pizza), were amazed by extravagant fur clothing, enjoyed Sami joiking (a variation to the Austrian Yodel) and even saw a northern light – faint, but still.. This photo blog shows it all 😉

Algorithmic ideology at oxford internet institute/ oii 21-24 September 2011

I’m happy to announce that my paper “Algorithmic Ideology: How capitalist society shapes search engines” has been accepted at the OII conference in September (with thanks to Ken Hillis for the inspiration to the title). The conference “A Decade in Internet Time: Symposium on the Dynamics of the Internet and Society” has the central goal to critically assess the last decade of social research on the Internet and identify directions for research over the next. Further, the 10th anniversery of the founding of the OII will be celebrated. The line-up of the speakers is highly impressive: Manuel Castells, Vint Cerf, Dr. Laura DeNardis, Professor William H. Dutton, Andrew Graham, Eszter Hargittai, Brian Loader, Dr. Lisa Nakamura, Dr. Victoria Nash, and last but not least Professor Barry Wellman. I’m particularly looking forward to discuss my paper in the audience of Manuel Castells or Vint Cerf – who both will certainly have to say a lot about the development of search technology/ Google in the context of capitalist society/ the information economy. For further information on the conference topics, speakers & registration, please go to the conference website (credits for the image OII).


goodtosee #1: diaspora & mubi

After a great time in Vienna, Linz and Tirol I’ve returned to UmeÃ¥, where the snow is still piling up. Although I’m not a big fan of New Year’s resolutions I thought to clean up my life a little bit over the turn of the year. The probably most liberating decision was to drop the idea of turning my PhD into a book. Instead of reworking the same piece of text over and over again or paying a lot of money to get it out there as a book, I’ve decided to put it online and upload it on textfeld, an Austrian platform for sharing and discussing academic work. Further, I’m working on journal articles, that are much more fun to write anyway. Blog-wise I’ve decided to introduce a new rubrique aiming at discussing one website, initiative, institution, or online platform I find worth to spread per month. I call it goodtosee.

To start with – and against my own idea of discussing one site per month – I start out with discussing two social networking sites: Diaspora and MUBI. Invited by my colleague Jana Herwig I joined Diaspora just to see what it’s like. Created as an alternative to Facebook, which spams you with news, apps and ads, Diaspora looks minimal and friendly.

Instead of “friends” you add “family” or “work”-related people or whatever category you invent yourself. This seems sympathetic since the one-size-fits-all friends category has become empty anyway. Further, the lack of advertising and news spam is extremely pleasant. Despite the sympathy I have for the platform I haven’t really figured out what to do with it yet. Browsing the profiles of my – so far – two contacts makes it hard to see what their social relations are, also because the news channel is lacking. So the social surveillance we’ve learnt on Facebook doesn’t quite work here. Further, the function of importing images, links to websites, or youtube movies seems to be complicated, if possible at all, which makes it hard for me to get started. The reason for that might be just my own incapability to let go of all the annoying, but at the same time handy features I got used to on Facebook. Or the lack of friends or rather lack of “family” and “work” I have on Diaspora. In any case I’m curious about the platform’s further development – it’s an alpha version and feed-back is appreciated – and whether I’ll be part of it. Let me know if you wanna try it out yourself; I’ve still some invitations and would be interested what you think of it!

The second platform worth mentioning is MUBI. MUBI is an African city, but it’s also a social network dedicated to watching, sharing and discussing movies. The platform is more intuitive than Diaspora since it has all the basic features we got used to in the past: It has a news channel, it links to Facebook and Twitter, and it provides you with a profile you can design with the help of familiar features.

Its main purpose, however, is to offer a movie database and stream all types of movies, from classics to recent films, for a small amount of money (1-3 Euros). The movies that are top-rated and thus presented to users on the homepage are no blockbusters, but films usually shown at small film festivals around the world. This makes the platform immediately interesting to me, not to speak of the films by Christoph Schlingensief that are featured as well. When digging into the films, however, one big problem occurs: due to different copyright regulations in different countries not all films may be watched in all countries.. so it’s a bit of a lottery whether you can actually watch the movie you wanna see. Hence, if you’d like to watch old classics the Internet Archive might actually be the better option for you. Apart from that I highly recommend all film lovers to check it out!

I think these two websites are goodtosee because both of them are innovative and refreshing alternatives to big, commercial companies. Despite some initial difficulties I would love to see them grow and become serious competitors to money-driven platforms using our personal data to raise their revenues.

— merry xmas & a peaceful 2011 —

   

media places: from the gardens of versailles to spatial robots

The media places conference at the HUMlab has come to an end. It was a highly inspiring three-day gathering of international scholars in the broad field of digital humanities. Besides researchers from the humanities and the social sciences, software developers, architects, advertisers, musicians, and a bunch of people from the digital media and gaming industry have been part of the tight program. The juxtaposition of all these different types of actors and their perspectives on the mutual shaping of media, technology and place made this event mind-blowing indeed.

It enabled our minds to travel from the historic gardens of Versailles and smart homes from the 50s to future scenarios in architecture and spatial robots telling us when to water the plant. The opening talk of Chandra Mukerji reminded us of the fact that power and authority is not only exercised by social action, but also by materiality and architecture. Her detailed analysis of the gardens of Versailles and the beautiful fountains, statues and mazes provided a theoretical framework for the politics of place, which I found applicable to a lot of the talks that followed thereafter. Most impressively, probably, in Erica Robles‘ analysis of Californian Megachurches. The glassy facades and huge screens mediating the congregation to a global TV audience may be seen as a manifestation of authority (and capitalism).

While most of the talks, such as these two, might be neatly woven together, others pointed to contradictions and misunderstandings, most particularly between critical analysis and software developers. I found it most striking, for example, that Lynn Spigel‘s gender clichés embedded in historic advertisements of smart homes and TV may still be found in demonstration videos of the fascinating information systems and spatial robots Miles Kemp presented. Is the “future of the past”, as Lynn Spigel called it – the white nuclear family and the woman taking care of the kinds – still applying to the future of the present? Or is it rather time to create new societal visions along with new technological possibilities?

Photo credits: The Univesity of Chicago Press & Variate Labs

Since pretty much all the talks I’ve heard were highly inspiring I could go on forever here. To avoid that I would like to invite you to check out the program and speakers in detail on the conference website. There you can learn more about Molly Steenson‘s analysis of Cedric Price and his imaginations of information architecture, Zephyr Frank‘s network visualizations of the spread of diseases or the mobility of Rio de Janeiro’s slave population, Jesus de Francisco‘s advertising films and music videos from Motion Theory, Simon Lindgren‘s networks of file sharing and other social media communities, Jeffrey Sconce‘s reflections on schizophrenia and delusional media, Nicklas Nygren‘s fantastic video or rather “audio” games, Carter Emmart‘s simulations of the universe and much more. Not having been in an observatory for ages Carter Emmart’s tour from Mars to the Moon and back to the Earth was most impressive to me!! Thanks for that!

Last but not least I would like to refer to the talks of my HUMlab colleagues: Jim Barrett, Jenna Ng and Mats Deutschmann gave a wonderful presentation on second life as a media place for learning, symbolic representation and cinematic experience. Mike Frangos was talking about archiving and social media featuring Machfeld‘s M1+1 performances (I personally love to advertise ; ). And Lisa Swanstrom presented her really interesting book on new media places and environmental consciousness hinting at the blurring boundaries between nature and technology. Good luck with your book! We’ll miss you here Lisa!

Last last, but not least: I would like to thank Patrik Svensson and Emma Ewadotter and all the helping hands from the HUMlab crowd for the wonderful conference, and the Julbord and Glögg party, of course 🙂 I would love to see more events mixing people with different backgrounds and creating a media place for fruitful thinking beyond disciplinary boundaries!!

Patrik’s reflections on the use of space during the conference and more interesting material on all that may also be found at the HUMlab blog.

SWAMP: studies of work atmosphere and mass production

SWAMP (studies of work atmosphere and mass production) is an art label that creates entertaining, yet critical art works, which I highly recommend to check out on their website! That is how they describe themselves:

SWAMP is the collaborative effort of artists Douglas Easterly and Matt Kenyon. Their work focuses on critical themes addressing the effects of global corporate operations, mass media and communication, military-industrial complexes, and general meditations on the liminal area between life and artificial life. SWAMP has been making work in this vein since 1999 using a wide range of media, including custom software, electronics, mechanical devices, and often times working with living organisms. Easterly is a Senior Lecturer and Programme Director of Digital Media Design at Victoria University of Wellington in New Zealand. Kenyon is an Assistant Professor in the School of Visual Arts at Penn State University in the United States.

Amongst their wide range of works I particulaly like “coke is it”. This piece questions coke’s marketing strategies with the help of the roboter c3 that destructs itself by drinking coke. Enjoy!

Coke is it from matt kenyon on Vimeo.

Other brilliant works are the “tardigotchi” or the “improvised empathetic device”, which helps to raise awareness to the death and violence occuring in Iraq by creating direct physical pain from the reported events of killed American soldiers.

Thanks Lisa Swanstrom for having introduced me to this great art and for having organized a super interesting Skype interview with Matt Kenyon in the HUMlab!

“Media Places” conference at HUMlab

Preparations have already started for the upcoming conference “Media Places”, that will take place at the HUMlab, UmeÃ¥ University/ Sweden, 9-11 December 2010. Within the broader context of what has been labeled the “Digital Humanities” this conferences aims to investigate the interplay between media, technology and location. “A basic premise is that the social, cultural and spatial are deeply embedded, and that space is constantly structured and produced by those of who occupy it”, as may be read on the conference website. To approach phenomena at the intersection of media, technology and place the conference brings together cultural historians, architects, screen researchers, art and creative directors from digital media production industry, visualization experts, design researchers, sociologists, gender researchers, and game industry representatives. This broad range of scholars with different backgrounds shows the interdisciplinary dimension of topics the growing field of Digital Humanities deals with.

Details on the program and international guests from top-class institutions in the field of Digital Humanities may be found here. I’m already looking forward to an exciting three-day conference in the far north of Sweden 😉

surströmming or “the stinky fish movie”

According to Wikipedia Surströmming, “known colloquially as Scandinavian rotten fish, is a northern Swedish dish consisting of fermented Baltic herring. Surströmming is sold in cans, which often bulge during shipping and storage, due to the continued fermentation. When opened, the contents release a strong and sometimes overwhelming odour, which explains why the dish is often eaten outdoors.”

Despite its scary description we decided to try – what we called – the stinky fish nevertheless. Following the advise to eat Surströmming outdoors we took it to the woods, together with other ingredients the fish is supposed to be eaten with. The purpose of this undertaking was to actually eat the fish.. the outcome of our adventure may be seen in the movie below. I hope it does not hurt Swedish feelings, but as a lot of Swedes don’t like the fish either, it should be ok, I hope. Especially as it also well-documents the HUMlab postdoc crowd! At least parts of it, as Charlotte has left us in the meanwhile.. we miss you!! & thanks for editing the film! 🙂 & thanks also to Michael, who documented the whole fish procedure with the camera (and unfortunately left us too!!).

Tip: When watching the film, please consider that I actually said, that I swallowed the fish for a moment – a clear sign of the fish’s ability to confuse my brain..

P.s. the movie was shot about a month ago, the present snow-situation is like this: